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Phil Whiting

  • Forthcoming

Paul Wright - 'Spirit and Matter'
11 Sep 2010 - 26 Sep 2010
  • Past

David Atkins - 'Beside the Sea'
24 Jul 2010 - 15 Aug 2010

Peter Ole Rasmussen 'In the Penalty Area'
3 Jul 2010 - 18 Jul 2010

Richard White 'Reflective Figments'
3 Jul 2010 - 18 Jul 2010

Juliette Paull 'Whispers'
12 Jun 2010 - 27 Jun 2010

James Pimperton 'Figments with Pigments'
12 Jun 2010 - 27 Jun 2010

Jeremy Annear 'Forensic Traces'
15 May 2010 - 6 Jun 2010

Kristin Vestgård - 'Undergrowth - where words cannot go'
17 Apr 2010 - 9 May 2010

Nicola Bealing
20 Mar 2010 - 11 Apr 2010

Works on Paper
20 Feb 2010 - 14 Mar 2010

Sue Stone - 'Life on the Coast'
28 Nov 2009 - 13 Dec 2009

Jo Taylor - 'Drawn from Life'
31 Oct 2009 - 22 Nov 2009

David Atkins

'Land and City Light'
3 Oct 2009 - 25 Oct 2009


Danny Markey - New Paintings
12 Sep 2009 - 27 Sep 2009

John Huggins - Sculpture
12 Sep 2009 - 11 Oct 2009

Judy Buxton, 'Reflected Landscape'
13 Jun 2009 - 12 Jul 2009

Graham Boyd - 'Picturing the Sublime'
23 May 2009 - 7 Jun 2009

Ffiona Lewis - Recent Paintings
25 Apr 2009 - 17 May 2009

Dido Crosby - Sculpture
25 Apr 2009 - 17 May 2009

Marie-Claire Hamon, 'Oasis'
28 Mar 2009 - 19 Apr 2009

Alfred Stockham, 'The Beach to Himself'
28 Feb 2009 - 22 Mar 2009

James Fisher - as a stranger I depart
22 Nov 2008 - 14 Dec 2008
Past:
Phil Whiting
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“Painting the land is the best way I know of evoking half forgotten memories or truths. In a sense I am a history painter”.

Phil Whiting was born in 1948 and spent his childhood in Hull, winning his school art prize. He studied at Newcastle, Portsmouth and Falmouth Colleges of Art, chosen because of their proximity to the sea, where tutors praised “a rare gift … the extraordinarily powerful presence of his paintings”. Whilst continuing to paint, Whiting did a variety of jobs, from dock worker to lorry driver, that gave him ‘vital’ experience and fed into the subject matter of his paintings, prior to becoming a part time art teacher. Before moving to Hackney, London in 1984, Whiting lived on the north Norfolk coast exhibiting his work in public and private galleries in London, Peterborough and Portsmouth, winning an Arts Council Award in 1981. In London he became part of the ‘New Wave of British Figurative Painting’ and although his work owed much to Bomberg and Auerbach, he identified more with the aims of the ‘German Neo Expressionists’ such as Anselm Kiefer. Like a number of London based artists, Whiting chose “positive obscurity” by moving to west Cornwall in the late 1980’s.

Phil Whiting has gained a considerable reputation for his hard hitting and evocative paintings of Cornwall’s post-industrial hinterland, which have been reproduced in many publications including English Heritage’s seminal book, ‘Images of Cornish Tin’. Concurrently with this work Whiting has been engaged on a series of paintings called ‘Places of Mourning in the Western World’. This has taken him to Flanders, Oradour, Auschwitz-Birkenau, Ground Zero and in September, after accepting an invitation from the charity Funds for Refugees in Slovenia, to Srebrenica. His next solo exhibition ‘Srebrenica Paintings’ will be held in the European Parliament Building in Brussels in June 2006.

Whiting’s work has many admirers and has been selected by art critics David Lee, John Russell Taylor, William Packer and Norbert Lynton and writer and broadcaster Joan Bakewell for ‘Critics Choice’ exhibitions of the Newlyn Society of Artists, of which he is a committee member. Recently he has enjoyed further success in exhibitions at Thompson’s City Gallery, the Rainyday Gallery, Penzance and the Newlyn Gallery. Phil Whiting’s paintings have been purchased for many public and private collections including Truro School’s important collection of contemporary Cornish art and The Royal Cornwall Museum.

Phil Whiting lives with his family and paints full time on his remote farm overlooking the Cober Valley in West Cornwall.

Bounty Earths Sorrow Landslip, St Just-in-Penwith Lezerea Farm, Windy Day, Autumn II
Phil Whiting
Bounty
oil on board
152.5 x 122 cm
Phil Whiting
Earths Sorrow
oil on board
122 x 152.5 cm
Phil Whiting
Landslip, St Just-in-Penwith
oil on board
91.5 x 122 cm
Phil Whiting
Lezerea Farm, Windy Day, Autumn II
Acrylic on card
40 x 54.5 cm (unframed)
Lezerea Farm, Windy Day, Autumn I Looking South from White Alice, January Nev Ha Nor (Heaven and Earth) Sithney Church, Early Evening
Phil Whiting
Lezerea Farm, Windy Day, Autumn I
Acrylic on card
39 x 25 cm (unframed)
Phil Whiting
Looking South from White Alice, January
oil on board
42 x 88 cm
Phil Whiting
Nev Ha Nor (Heaven and Earth)
oil on board
91.5 x 122 cm
Phil Whiting
Sithney Church, Early Evening
Acrylic on card
23.5 x 34 cm (unframed)
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Tinners Field Tir Ha Kov (Land and Memory) The Badger Set, Winter Morning Wheal Jane Tin Mine
Phil Whiting
Tinners Field
oil on board
62 x 123 cm
Phil Whiting
Tir Ha Kov (Land and Memory)
oil on board
91.5 x 122 cm
Phil Whiting
The Badger Set, Winter Morning
oil on board
51 x 123 cm
Phil Whiting
Wheal Jane Tin Mine
oil on board
45 x 123 cm
© Campden Gallery 2003
Campden Gallery
High St
Chipping Campden
Gloucestershire
GL55 6AG

Tel: +44 (0)1386 841555

info@campdengallery.co.uk